STREET GLITTER
Gigi Giangiobbe-Rodriguez
Can you watch my section for five?
we ask our coworker,
one we may or may not have slept with,
so we can slip outside
apron still affixed
and smoke a cigarette
or just stand under the glow of street lamps,
looking at the remains
of a Tesla’s window in pieces on the sidewalk—
street glitter—
watching a rat scuttle across the pavement
to dart behind a patch of grass,
taking a moment of relative silence and fresh air.
We are misfits
degenerates
hard workers
sweethearts.
We are gravely misunderstood.
We smell like hops, yeast,
oil, grilled meat, bread, fish.
We make 500 on a good night
if we’re front of-house,
and we make 90 on a bad night.
After our shift is over and we clock out,
we drink three to six beers, depending.
Sometimes,
during the really long days,
the really thankless nights,
the nights where we cut the tip of our finger off,
or have to clean up vomit, or piss,
or a drunk guy pinches our ass,
or some dude tells us we should smile more,
we start drinking before clocking out.
86 TRIPLE SEC
we yell at each and every server
while we tend bar,
pouring pint after pint of beer.
4 COUNT SWEET POTATO FRIES
we yell as we pop out from our prep kitchen cave,
to tell the spoiled front-of-house staff.
BEHIND! ¡ATRÁS!
we shout as we dart from kitchen to the line,
back of house to the floor
front bar to back bar
walk-in back to the bar
kitchen to the restroom
restroom to the lockers
storage closet back to the line
prep kitchen to the dumpsters.
WHERE IS TABLE SIX’S BURGER
we demand of our line cooks,
not daring to talk to the chef that way.
STOP SEATING ME
we frantically mouth to the host,
after they have sat us a fifth consecutive four-top in ten minutes.
Fuck. Table six stiffed me.
On to the next.
WHERE’S JESS?
We, the almighty bartenders yell into the void.
Our most loyal server finds her,
tells her we have a question.
Jess saunters up,
already rolling her eyes—
You didn’t ring this drink up right.
Here’s how you do it.
We hear ourselves and are annoyed.
We’re nitpicking ingredient discrepancies
with the servers
for what, inventory? To save money?
For who?
So the owner can get a bit richer while we hustle our ass all night?
What’s the new IPA taste like?
A customer asks us,
after they have already sampled three beers.
“It tastes like fucking beer,”
we wish we could say.
“It’s really good. It’s hoppy but not too bitter. Super fresh,”
we say instead.
THREE BONELESS WINGS ALL DAY;
FIRE ON TABLE NINE
we yell from our little slice of hell
stationed in front of the deep fryers,
dodging hot oil,
wielding knives and squirt bottles,
tossing
plating
garnishing
wiping
repeat.
Two hours left.
Fuck I need a drink.
I need five drinks.
I need a new fucking job.
​
And then we show up hungover the next day
and do it all again.
We don’t have much of a choice.
No one’s holding our hands.
We are a band of degenerates—
these misfits,
these sweethearts,
these druggies,
these assholes,
these perfect human beings.
We are a dysfunctional family
just barely hanging on.
​
​
​

Gigi Giangiobbe-Rodriguez
Gigi Giangiobbe-Rodriguez is a writer based in Portland, Oregon but was raised in Oakland, California. She’s never met a tree she didn’t like and has what some would call an acute addiction to tea. When Gigi is not amassing books faster than she can read them, she’s writing, snacking, or scream-singing karaoke at a dive bar with her husband and their friends. Her current works include her chapbook: I’m Okay, I Promise. Gigi writes personal essays, memoir, prose poetry, poetry, fiction, and occasionally takes a stab at other genres. Her research essay on Indigenous voter disenfranchisement was showcased at PCC’s 2023 Groundswell Conference. Gigi is on the President’s List at PCC and is an All-Oregon Academic Team scholar. She is an editor for the literary magazine The Pointed Circle.

