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POETRY

Poetry is nearer to vital truth than history.  ~Plato

Bonneville Dam

Ines Rossi Y Costa

 

Across a body of water far wider than the Columbia,

your letter spills equations solving for distance.

Your words engineer power from Oregon

all the way to France. Adam, I will be your bride.

Bonneville: a good city. Promises made in good faith.

 

Ahead above groundwater, canals irrigated,

we navigate this New Deal downstream.

Two powerhouses, we electrify tides. 

Your reactivity leaves me off-balance,

drunken hydraulics wreak havoc

on my ecosystem and soon, 

short circuit my allegiance.

 

You build a lock around me, raise and lower boats,

control the waterway, erode my embankment

and still, I swim against your current to spawn.  

Tag me, a mere statistic of depressed populations.

Monumental pressure and obstruction

turn this reservoir to sewage until

 

The levee breaks and floods our soluble bond.

I dredge a riverbed. Watershed.

A stray sturgeon, I slip through your fingers,

climb the fish ladder upstream. 

 

Alone, I now dive into a clear basin, 

follow the tide to my center,

my scales shimmering,

 

again.

Virulent

Lisa Plummer

 

 You smile with teeth that shift 

         to                   fangs 

pressed into a plump pink tongue tip.

As venom sits and 

                            d

                              r

                                i

                                 p

                                   s 

       hate fueled fallacies from your mouth.

 

Illicit, implicit, attention seeking missiles of ferocity.

Imploding monstrosities lacking in quality. 

Atrocities escape through lie-lined lips 

painted red by animosity. 

Hostile frivolity, vomits verbosity

that constantly colors me 

underwhelmed.

Dinner’s Almost Ready

Stella Robertson

 

Mom tells me to set the table, and for the hundredth time 

reminds me that the napkins go on the left.

I twist the knob on the wall

and the chandelier blazes.

By the wood stove, Dad sits in the chair he made himself. 

The chair is small,

and he looks like a child who’s outgrown his old clothes. 

Not looking away from The New Yorker, he reaches up 

and dims the light.

The candles glow,

alone now,

in their misshapen homemade pots.

 

I pour in bowtie pasta too fast,

and boiling water splashes my fingers.

Mom holds a cold sliced cucumber to the burn. 

When she turns to cut the carrots,

I place the slice in my mouth

and my favorite album on the record player. 

Dramatic chords echo through the kitchen

as Mom makes pesto pasta with basil

from the garden. Angelic indie rock is the soundtrack 

to fresh leaves, garlic, and pine nuts

in the blender, and she mixes anchovies

in a metal bowl for caesar salad.

 

The dining room is dark now, but this is how I know it. 

I stand on the metal grate for as long as I can,

burying my toes in the cat’s black fur

when it starts to burn.

 

Cat Power sings

so loud,

I can hear it from the front yard.

as I roll the recycling bin over our thin strip of grass 

and it catches on the stones

we lined the sidewalk with two summers ago.

The street is unlit, and I listen hard

for music coming from other families’ houses.

But all I hear is the deep bass that rattles my front door.

Serenity at Last

Belen Johnson

 

Speckled deep plum and peacock catch my 

eye as they mix like marbles with the oaks. I

relax as my nose fills with the scent of damp 

earth and musty leaves. The soft crunch of 

new fallen leaves beneath my feet as 

I make my way to the lake. The water, like

tiny crystals in the sunrays. A fish,

yellow as an ear of corn, flies through the

air. Ripples of corn left behind, where it

tore through the shear glass wall. 

Little meows sound from my right. A kitten,

alabaster, paws at a flower. I sit quiet and

still so the kitten won’t run away. A bright

tangerine flower, sways from the swats made.

A Bad Reason Not To Fear Traffic

David Dionne

 

Every tree is a cadaver in green

throwing back our funereal headlights

as we return from a quantum of suicide

resplendent with potatoes and pasta

 

The road swims through the darkness

its cassette-ribbon length spooling behind

unwinding ahead to play a new song

every time we pass over this stretch

 

To either side rise the hills

fall the valleys

stretch the fields

Oregon silent in a graveyard of pines

 

But here in front and there behind

is only the road with its balefire tail lights 

and a motorcycle's cyclopean glow

not even a light to shine from above

 

We used to risk ourselves on the road

road there and road back

the cars still speed in nights too dark

but we fear them no more

 

There are smaller things to fear tonight

that may lurk on every shelf

beneath our daily bread or atop carrots

or inside a watermelon among the juice

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